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Karaoke Fun! Singing Tips

In's & Out's of Breathing new
Hoarseness new

Anatomy 101
Warming Up
Simple Warm-up Is Best
Breathing Tips
Power Breathing I
Power Breathing II
Hitting Pitches
Essential Singing Tips
Un-training - Improve Your Voice
You Want a Better Voice
Training A Stubborn Voice
Finding the Best Singer Inside
Sing the Song that Fits
Don't Wait To Hydrate
Maximum Range
A Message From Your Larynx

Let Yourself Sing
Singing with a Cold
Shades of Passion
Herbs to the Rescue
Swan Song
Surfing the Song
Vibrato
Loud Mouths Don't Shout
Drop the Chalupa
Voice Classification and Talent
Give Yourself Permission To Sing
Alcohol, Singing and You
Don't Let Them See You Sweat
Overcoming Stagefright

The Imposter Syndrome
More to Karaoke than Singing!
Enhance Audience Appeal
Tips For Song Mastery
Advanced Song Mastery
Mastering Fast Songs
Song Memorization
Expanding Your Repertoire
Singing for your Supper
Approaching the Studio
Singing in the Digital Age
How to Avoid the Sharks
Feed Your Head
Round Two for Singing Flicks

Pony's Reading List for Singers
Tips From DOG & PONY's Singers

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Tips for Singers:
 "Hitting Pitches" 
(Singing is not a "three stikes you're out" proposition)

by Mark Baxter
Voicelesson.com
One, two, three strikes youíre out. Many singers approach the stage as if it were home plate in a little-league game.

Standing there like a kid donning an over-size batting helmet, they often squeeze their eyes and lock their muscles in anticipation of tough pitches. Itís a self-defeating stance. Once the body becomes rigid, itís almost impossible to make the minute adjustments required to connect on target. When the inevitable misses start adding up, suggestions from coaches like "relax" and "breathe" are wiped out by panic. The downward spiral continues as all attempts at maintaining a balanced form are abandoned in favor of a full-out attack at each pitch. While poor mechanics are certainly an issue, the mind is far more at fault in these situations. Singing is mostly reflex activity, which means the muscles know what to do. However, where the mind goes the muscles will follow. Ironically, if you want to sing in tune, stop thinking about pitch.

We tend to forget that thereís more to singing, and baseball for that matter, then hitting pitches. Dynamics, tone, duration, note placement and interpretation of lyrics all play a vital role in music just as fielding skills do in baseball. What great singers and players do is focus on a bigger picture. When performing, the mind-set of a singer should be on the sentiment of the song. What do you want to express to your audience? What do you want them to feel? Are you in the song? Is your head in the game? These questions are the ones to address when you feel youíre losing control. Taking the focus off the physical aspect of singing not only provides a better environment for your reflexes, it also allows the audience to stay with their emotions. Unlike baseball, singing is an art. No one is counting the misses unless the singer draws attention to the problem. Remember, where your heart goes the audience will follow.

There are steps you can take to prevent the distraction of an occasional foul note. A good warm up is essential. Your muscles respond much better when activated slowly. Cold muscles are rigid and require more energy, which throws off the delicate balance needed to be in tune. Another way to promote accuracy is to vocalize every day. The best hitters in major league baseball never miss batting practice. They do this so they can concentrate on where to hit the ball during a game, not how. Vocalizing gives you this same opportunity to focus on technique in order to free your mind during a performance. The goal is to simplify things so thereís less to deal with when under pressure. On stage, while we tend to work extremely hard when singing high notes, in reality, the muscles responsible are as small as those which move your eyes. It is impossible to feel the vocal folds stretching for a note -- any note. When you practice, work on reducing the physical effort associated with pitch, no matter how inaccurate it makes you at first. Allowing yourself to sing out of tune is vital when exploring how little it takes to be on pitch. Obviously, this is easier to do in private than on stage.

What you can do when performing is dig deeply into the lyrics. Even if no one can understand a thing youíre saying, let the words move you. If something unintentional slips out, keep in mind that the audience is routing for you. Think of Sammy Sosa or Mark McGuire; you never see them finch when they swing for a strike. The miss is wiped from their minds and their focus stays in the present. The crowd wants them to hit the pitch and they are lifted by the collective will. A crowd can do the same for you if you let them.

No one goes to a show in the hopes of seeing a singer struggle. You can own a blunder if it works by repeating the stray pitch or by adjusting the melody accordingly. Or, you can ignore the incident. An audience has no idea what you intended to sing. Donít let your body language give away the secret and they wonít have any idea. Have you ever seen a baseball player not take a base because he didnít mean to hit the ball to right field? Training your voice to be consistent will help ease performance anxiety, but itís just as important to learn to get over a missed pitch. No one bats a thousand.

Mark Baxter is a vocal therapist who offers private and video lessons. To contact him, call: (800)659-6002. Visit his website at: www.voicelesson.com

(reprinted with the kind permission of Mark Baxter)

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