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Karaoke Fun! Singing Tips

In's & Out's of Breathing new
Hoarseness new

Anatomy 101
Warming Up
Simple Warm-up Is Best
Breathing Tips
Power Breathing I
Power Breathing II
Hitting Pitches
Essential Singing Tips
Un-training - Improve Your Voice
You Want a Better Voice
Training A Stubborn Voice
Finding the Best Singer Inside
Sing the Song that Fits
Don't Wait To Hydrate
Maximum Range
A Message From Your Larynx

Let Yourself Sing
Singing with a Cold
Shades of Passion
Herbs to the Rescue
Swan Song
Surfing the Song
Vibrato
Loud Mouths Don't Shout
Drop the Chalupa
Voice Classification and Talent
Give Yourself Permission To Sing
Alcohol, Singing and You
Don't Let Them See You Sweat
Overcoming Stagefright

The Imposter Syndrome
More to Karaoke than Singing!
Enhance Audience Appeal
Tips For Song Mastery
Advanced Song Mastery
Mastering Fast Songs
Song Memorization
Expanding Your Repertoire
Singing for your Supper
Approaching the Studio
Singing in the Digital Age
How to Avoid the Sharks
Feed Your Head
Round Two for Singing Flicks

Pony's Reading List for Singers
Tips From DOG & PONY's Singers

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Tips for Singers:
"Warming Up"
(How to get the most from your voice)

by Mark Baxter
Voicelesson.comWhether you rap, sing, belt, scream, croon or perform spoken word, you will get more from your voice if you warm up first.

Actually, thereís no avoiding it. Those who feel itís unnecessary, or silly, are simply warming up as they sing rather than before. There is a huge difference, however, when you gradually work the body up to performance level. Your pitch, range, power, expression, and most important, your longevity will greatly improve.

Any increase in any muscle activity raises the bodyís core temperature. Shocking the body into action from a cold start triggers protective muscles to brace against the prospect of injury. Neck, jaw and tongue muscles lock in place requiring a vocalist to exert extra air pressure to sing. The tension creates friction which causes the vocal folds to over heat and swell. Translation: Punching out the first few songs of the set will make you blow out quicker and stay blown for most of the next day. Temporary vocal fatigue might not seem to be much of an issue when youíre gigging once a week. But what happens when your music "hits"?

Consider the schedule of Emerson Hart, singer for Tonic, when the bandís song, "If You Could Only See," shot up the charts. Management kept the band on the road for well over a year, working five nights a week with plenty of thirteen-dates-in-a-row stints. Often, Emersonís day began at 7:00 AM with an unplugged song for a morning-drive show. Then, it was off to various promotions and afternoon interviews, finishing with a 90 minute set at midnight. When Emerson called me, he was satisfied with his vocal abilities; but nervous about surviving his success. I devised a warm-up plan to prepare him for the daily routine.

What you sing to warm-up is not as important as how. I recommend the simplest sounds. Your attention should be on physical freedoms rather than quality of sound. Release your breath with several long, low volume hisses. Then, loosen your face and neck while humming with a wandering, siren-like, motion. Donít allow your face to change to reach for pitches. Alternate the hums with an extended zzz sound and gradually change this to an EE vowel and then an AH. Keep your melodies sweeping. I donít recommend singing songs quietly because there are usually tensions programmed into them. As you loosen up, turn up your volume -- but not before. As you get louder, stay with an EE or AH. The point is to wait until the body gives you permission to increase the load. The length of a warm-up should be in reverse proportion to the need. Long gig -- short warm up, but if youíre doing a single song on The Letterman Show, you should warm up and then sing for an hour for that, trusted, middle-of-the-set feeling.

The hardest part about warming up is making the time and finding a place. I used to be embarrassed to make the funny sounds required in front of others hanging in the back room -- if there was one. Now I choose the dirty looks over the frustration of having a set end just as my voice is waking up. Be inventive; head out to the car or van in the warm months or, in winter, hang in the bathroom or stand in the middle of the crowd if thereís a band before yours. No one will hear a thing -- I do it all the time. If youíre running late, warm up while driving to the gig or rehearsal. The best routine is to warm up slowly all day. Every chance you get, lightly vocalize on hums and zzz sounds. Just remember, for any style singing, starting with a loose, flexible instrument will allow access to your full potential. Where you take your voice from there, is up to you.

Mark Baxter is a vocal therapist who offers private and video lessons. To contact him, call: (800)659-6002. Visit his website at: www.voicelesson.com

(reprinted with the kind permission of Mark Baxter)

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