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Although
some may argue that 'Karaoke' is Japanese for "drunken and tone-deaf",
the word actually means 'empty orchestra'. Those of us who
have been bitten by the performance bug understand the habit-forming
power a successful outing can have. Many regular singers form
strong bonds of friendship among fellow karaoke enthusiasts,
and audiences frequently request 'signature tunes' by their
favorite singers. As far as hobbies and interests are concerned,
karaoke singing can be a clean and wholesome activity suitable
for all ages.
There
are some unspoken rules of etiquette to follow if you want to
become a karaoke regular. These are not written in stone, but
they will be helpful to observe. As with any other creative
or performance outlet, feelings can be bruised very easily through
harsh criticism. Karaoke performances are going to run the entire
gamut from near-professional to tone-deaf. As a singer and audience
member, you have an obligation to support those who may not
feel supported.
1.
Remember your first time. If a brand-new singer struggles through
their first song, resist the temptation to ridicule or otherwise
disrupt their performance. Polite applause is most appropriate,
as well as an invitation to join your group. If you feel comfortable
offering advice, do it privately and with considerable tact.
Don't overwhelm a new singer with a hundred nuggets of sage
wisdom- keep it simple. If their volume was a major problem,
address that first. Suggest ways of positioning the microphone
to best suit their singing style. Quiet singers may need to
hold the microphone closer, or increase their singing volume.
Those who threaten to overpower the microphone should be shown
the proper way to back off. Most karaoke hosts will do their
best to mix a singer's voice up or down to match their volume
level, but sometimes this just isn't enough. Once you've addressed
one major difficulty with his or her performance, leave any
more advice off the table until the next song. No one wants
to be barraged with a laundry list of perceived faults. After
a few songs have gone by, compliment the singer on whatever
improvements have been made and then address any new issues.
Also, practice what you preach and avoid the same performance
traps yourself.
2.
Rotations and 'Host Relations'. This is a hobby for you, but
a livelihood for the host. Respect their efforts by keeping
complaints to a minimum. Be polite when inquiring about rotations
and schedules.
3.
"HEY! That's My song!" The
position we hold at Dog & Pony Sound is that no one "owns"
a song. Songs are meant to be sung and karaoke is meant to be
fun! We have had situations where someone has yelled "Hey!
That's my song!"...and to make a point of our position,
we have had impromptu 'contests' where, over the course of the
evening, 5 volunteers sing the same song and the crowd gives
a fun and informal 'vote' at the end of the evening.
This being
said, some singers have 'signature tunes' -songs that audiences
have come to expect from them. Sometimes new performers will
select one of these songs, which may bother the regular performer
in the extreme. This situation becomes especially troublesome
if the regular singer was scheduled to perform that song next.
If you are in that situation as a regular, you could have an
alternative song ready to replace the first one. Be courteous.
You can always do the original song later. In the same vein,
it is never a good idea to deliberately perform someone else's
signature song just for the sake of causing strife. Some singers,
especially those with limited repertoires, can be hurt very
badly by such poor sportsmanship.
4.
"I brought my entire family to hear you do that song." For many
regular singers, the audience determines hits and misses. Certain
songs become synonymous with certain performers, and the audience
looks forward to hearing those songs every week. While that
may appear flattering, the accompanying peer pressure might
be a difficult situation for the singer. Karaoke singers like
to be experimental at times, and the temptation to try a new
song or two is always there. But the audience may have other
ideas, and are more than willing to share these ideas with you.
It can be very difficult to reject a heartfelt request for a
song, but you may have no other choice. Try to be as tactful
as possible when handling audience requests, but don't allow
pressure tactics to affect your song selections. Sometimes the
karaoke host will understand your dilemma and allow you to sing
two songs in order to accommodate the audience. If this is not
possible, you should thank the audience members for their support
and explain that sometimes a singer enjoys performing new material.
Hopefully, the audience will understand and support your new
efforts.
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