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We
frequently add new songs to our libraries [see
latest additions here]
We've
recently modified and updated our online
library. It now includes:
l3
libraries at a glance *new
lLibrary
#42 by Artist
lLibrary
#42 by Title
lLibrary
#9¾ by Artist
lLibrary
#9¾ by Title
lLibrary
#33.3 by Artist
lLibrary
#9¾ by Title
lGuide
to understanding our song codes
lFrench
songs (not complete)
lChildren's
songs (not complete) [see
all libraries here] [updated
April 2005]
And
now: a printable Master PDF FILE of all songs
in all of our libraries can be downloaded here
GREAT
NEWS! You don't have to be takin' our songbooks
home with you!!! You can download & print
all of our songbooks exactly as you see them
at our shows: by Artist, Title and Genre FREE!
[last printing Jan 2005]
You
can also Print your own Request Slips
to bring with you to the shows.
[pdf]
[html]
Join
our message
board to keep up on the latest news,
weather & sports...uh...songs, shows & events.
Find Your Favorite Library:
Library
#42 in
use at:
LookOut, O'Brien's,
Swizzles &
Brig Pub
Library
#9¾ in
use at: Swizzles,
VIP
& Royal
Britannia
Library
#33.3 in
use at: Brixton's
British Pub
&
Brig Pub
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SINGER TIPS
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You've no doubt noticed each system has a red, blue
& yellow mic as well as a host mic. Did you
know that the BEST mics are provided for you,
the singer? We use a general all purpose mic such
as the Sampson R11 for our hosts.
The yellow mics
in all systems are Audix OM2's. Perfect
for tenors, altos and sopranos. They are an excellant
live performance mic preferred by Alanis, Blink
182, Springsteen.
The red mics
in all systems are Behringer XM8500's. They are
best suited for low bass and baritone voices as
they help to clarify muddiness. Conversely, if your
voice is high, weak, or thin this mic may be prone
to feedback
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SINGER TIPS
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Excerpts
from "Let Yourself Sing" (If
only it were that easy . . . hey, it is!)
by Mark Baxter
"The
hardest part is getting started. The good news is
you already have. Any causal singing you’ve ever
done in the past counts, including in the shower.
It’s dark inside your throat; your larynx doesn’t
know whether you’re alone or singing for thousands.
Your mind is what causes the problems, which is
why I’m suggesting you lighten up a little. Distract
your doubting side by asking simple questions. How
many animals can you imitate? Both the moo of a
cow and the howl of a wolf are excellent ways to
loosen up tight vocal muscles. If that feels too
silly, then pretend you just took a bite of something
delicious. What sound would you make to convey your
delight? Once you gotten your voice active, explore
the boundaries. How high and low can you sing without
changing any facial muscles? Is it easier move your
voice around while humming or when producing an
EE or an AH vowel sound? How long can you sustain
a comfortable pitch? There are no right or wrong
answers to these questions. Everyone’s voice is
unique. These kinds of observations, though, are
a better monitor of development than what other
people say about your singing."
[Read
the rest of this article]
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